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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Mon Aug 20, 2007 5:13 pm Post subject: |
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There tends to be a manner in which we all discuss ideas: the topic gets sidetracked by commenting on one portion of many good ones...which then deviates unto the next. It's much like any informal discussion we may all have with others in many social contexts. However, I dod agree the goal is (should be) to further the topic rather than to define it, or a part of it. That said, usarender wrote a great post in this regard.
I would only try to further the topic by narrowing in on "deconstructionism" which by definition has always been about breaking down the way we think about our realities and re-visiting their nature. This is the metaphysical aspect that is fundamental to decon, as a philosophy. I am glad to see many here push for better conceptual design, rather than building design. That was where the topic deviated into functionalism vs form. And in retrospect, the response to that should have been to highlight the fact that both notions are outside of this topic...that before we beging to make our decisions we have to gather our thoughts on a subject/project and those thoughts begin by examining all that we know. I've tried to argue that even those who say that it is a waste of time and leads to rhetoric and stylistic tendencies are inherently influenced by their experiences and emotions that greatly influence their thoughts on every single decision they make. My argument is that we cannot escape our thoughts and simply design by logic. We are influenced by so much and the many who attempt to revisit their realities and peak over their shoulders to see the light of the cave (Plato's allegory) will always be able to more appropriately design for the true needs of their clients.
The interesting things about movements such as deconstructionsim is that once they expose a certain fundamental about truth and existence, we're forever indebted to their causes. In other words, we reap what others have previously sown, and in this case, my fear has been that through the liberalization of thought on so many levels, this has caused a certain level of apathy in design. It is human nature to feel comforted by parameters (ever try to design with a blank sheet of paper and no assignment?) and can flourish within those boundaries. Too much freedom (in this case we're speaking of the freedom of thought) and we often shrink before the enormity of possibilities. Deconstructionism had one critical point to it...which was to reconfigure our realities based on newfound truths. Many stopped short of simply breaking down our realities and decided that was revolutionary enough. However, the value of free thinking is to re-organize our thoughts and narrow it back down to a new "truth" that can lead to "best" decision-making. And this circles nicely back to the original question:
| Quote: | | How does one determine the sublimity of each supplement that we fabricate? Do we study the ephemeral phenomena’s, such as the play between the temporal elements? |
...to which I later responded by saying:
| Quote: | | The truth of our existence depends on our perception of the world and absolutism always escapes us. We are fine with that. In fact, the search for absolutism is often a source of inspiration for great deeds...as solidred touched upon, perhaps design is the search for perfection. In other words, design could be said to be the exploration, through various mediums, for understanding that what we do not...and the phenomenon is the fact that we can't quench our desire to seek this knowledge. The phenomenological world is something in constant motion and results in influencing our feelings, our emotions. I think these concepts are parallel in nature: that is, we feel a certain way about things and we want to know about them. One is not a resultant of the other...they work in tandem,... |
In response to the aspect of deconstructionism, in simple terms, I would use the old adage that life is a journey and not a destination. We must constantly and with determination seek new answers to the same questions, even if only to re-establish our own truths about the world as we know it. And this all begins with examining all ideas about the metaphysical realm, which is an all-encompassing idea already...
...I think JingYao says it best:
| Quote: | | To me metaphysical reflection in architecture is essential, to understand the system we are designing in, and coming up with solutions or find the best pattern for given context. |
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Mon Aug 20, 2007 5:22 pm Post subject: |
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p.s. - sorry, the functionalism vs form was another thread/discussion. I have too many discussions going on in my mind that they're beginning to overlap....
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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solidred

Joined: 05 Jan 2006 Posts: 728 Location: Scotland
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Posted: Tue Aug 21, 2007 4:23 am Post subject: |
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I'm not bothered if discussions like these meander... the point for me is that people write thoughtfully in the context of what other people have said and in a general relationship to architecture as opposed to, say, baseball. Otherwise, I'd expect a 'sticking to the topic' discussion to, in this instance, delve far more deeply into deconstruction philosophy or at least a discussion centered on those architects who have explicitly taken up the philosophy. I guess phenomenology, neuro-physiology and broader semiology would also feature. But I'd say that's the kind of discussion more suited to an invited panel, the members being experts on the topic(s). In a more general discussion forum like this, the specific subject matter of deconstruction would exclude all but the most studious of intellectuals...
I find it interesting, though, that the implicit question 'why have this type of discussion in relation to architecture at all?' that has been implied during this discussion, bears some relationship to the 'why' as posited by philosophers of earlier times.
And have you ever repeated a word (why, why why, why, why...ad infinitum) so many times it gradually empties of meaning? Is that deconstruction, albeit by repetition rather than by analysis? |
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Richard Haut millennium club
Joined: 18 Apr 2004 Posts: 1189 Location: Nice, France
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Posted: Tue Aug 21, 2007 5:34 am Post subject: |
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Solid has got the essential point: it is like asking "why". There are two ways to ask it: firstly to ask "why" in order to seek a greater understanding (in other words a genuinely interrogative statement), or the second which is merely a reactive "why" like a stroppy child in response to whatever is asked.
is so much of what has been done architecturally in the last few decades so bad ? I think that that would be unjust. Similarly the idea of, say, a city designed by deconstructivists would give me the horrors.
to me, much deconstructive design is simply reactive - different for the sake of difference, wilfully seeking to jar against its urban context.
sadly it brings us back to the "carbuncle" problem. For Prince Charles to have picked on one, then young, firm was shameful, but we can understand what he was saying. The reality is that the "oddity" building has to be that much better, to work that much harder not merely to be different, but to enhance and renew its context - and he was not willing to give it the chance. Like a troupe of acrobats - the really talented one is the one who clowns around on the high-wire. _________________ Richard Haut has worked with the architectural profession for over 25 years and produces the weekly Richard Haut's Competitions, which has given architects details of many thousands of projects for which they can apply across Britain and Europe. |
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csintexas millennium club
Joined: 06 Feb 2006 Posts: 2174 Location: USA
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P.C. millennium club
Joined: 26 May 2004 Posts: 2163 Location: Denmark
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Posted: Tue Aug 21, 2007 7:07 am Post subject: |
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Please allow me to ask, --- is there any way you can realise decons. in a structural way ?
I regret my lack of knowleage about this issue, but whatever I read, each new paper describe the style in a different way, The nearest I ever came , jettison the academic angle, is that decon are a whole assembled by various basic elements from earlier styles , please don't blame me if again I misunderstood deconstructionism, but so many oposing items had been named deconstructionism, for me everything would be much easier if there was a clear description, but I newer found one, so --- is there any way you can realise decons. in a structural way ? |
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Richard Haut millennium club
Joined: 18 Apr 2004 Posts: 1189 Location: Nice, France
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Posted: Tue Aug 21, 2007 7:29 am Post subject: |
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Deconstruction - by one definition - "is characterized by ideas of fragmentation, an interest in manipulating ideas of a structure's surface or skin, non-rectilinear shapes which serve to distort and dislocate some of the elements of architecture, such as structure and envelope. The finished visual appearance of buildings that exhibit the many deconstructivist "styles" is characterised by a stimulating unpredictability and a controlled chaos." _________________ Richard Haut has worked with the architectural profession for over 25 years and produces the weekly Richard Haut's Competitions, which has given architects details of many thousands of projects for which they can apply across Britain and Europe. |
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P.C. millennium club
Joined: 26 May 2004 Posts: 2163 Location: Denmark
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Posted: Tue Aug 21, 2007 9:19 am Post subject: |
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Thank's --- It is just this line I find most problematic ;
"manipulating ideas of a structure's surface or skin, non-rectilinear shapes which serve to distort and dislocate some of the elements of architecture"
For me surface and skin is just the side effect of structure, no skin or surface without structure so to say. The end result are in all decisions not as a particular "finish" , The finish the shape and form are there from the start it is not alian towerds the structure but a result of the structure.
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Richard Haut millennium club
Joined: 18 Apr 2004 Posts: 1189 Location: Nice, France
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Posted: Tue Aug 21, 2007 9:55 am Post subject: |
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in expert hands, the notion of decon-recon makes sense - the notion of deconstructing the elements of a structure to then, and most importantly, reconstruct using the elements of the original in a new way. That certainly and primarily involves the structure.
otherwise it is merely styling.
regrettably this destruction-must-be-creative-and-lead-to-something-better notion has a more sinister side: those who studied under Leo Strauss at Chicago evolved the notion that if everything gets smashed up, then something better must emerge. They are known as the "Neo-Cons". _________________ Richard Haut has worked with the architectural profession for over 25 years and produces the weekly Richard Haut's Competitions, which has given architects details of many thousands of projects for which they can apply across Britain and Europe. |
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P.C. millennium club
Joined: 26 May 2004 Posts: 2163 Location: Denmark
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Posted: Tue Aug 21, 2007 10:18 am Post subject: |
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I Agrea perfectly, then something better will be created with the experience, that tearing apart to pieces that make no meaning without particular others, must review the traces of the old parts in the new , at little structural integrety one can emagine ,sorry I still find the concept difficult.
My problem with all these -isms are that for instance, I love the Brutalism.
Endore everything in the constructivism . but what bind these together, is materials ,also design ofcaurse still just there, among what was envisioned in the 1920' 30' , was not projected with computers .
Building anything on the other hand is no problem today, case you honor just one new way to realise the structure ; there I would think the results of just taking apart the architecture would provide atleast a structure. "my" house though the best house I can emagine are but structure, I can easily emagine what to tear off a design and assemble it in another, what that provide I can also project , there will be a house ,but frankly I will not know ehat kind of house, bside isn't decons not what we anyway are doing? |
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JingYao
Joined: 18 Aug 2007 Posts: 40 Location: Malta
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Posted: Tue Aug 21, 2007 3:19 pm Post subject: |
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Hi.
I know very little about deconstruction in architecure and having been trying to understand deconstruction in philosophy, much i have read, little i have understood, however the little i understood i would like to share my tiny opnion.
Deconstruction, i think is a French word which perhaps adopted in the English language without translation, I think it means de-construction, as to un-construct or analysis, rather than to destruct or frament.
I think the notion of deconstruction philosophy is to un-construct a sensence apart, and construct many different sentences refering to its context as to explore other meaning. Similar to the process of concept abstraction, we abstract the essense of the sentence from many constructed sensences, as the true meaning of the sentence. In a way the sentence is understood as concept, not as a definition, it cannot be explaing but comtemplated as a singular object of thought. As a concept held together perhaps by an arbitary word, but in this case we do not need to create a new symbol to hold its meaning, but taking the oringinal sentence as reference. In a way, after deconstruction process we would have understood the original sentence better.
I think OMA seattle library is a good example, that the depart of the deconstruction process was the typology 'library', they deconstructed and reconstructed with the context of today, and i think they successfully reconstructed a new typology or a concept for a library today.
How this process is applied to the material work, i have not understood, what is the significance of having a building constructed of fragments and angular components i wish someone could shed some light on that. |
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usarender millennium club
Joined: 01 May 2004 Posts: 1258 Location: San Diego, Ca
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Posted: Tue Aug 21, 2007 3:26 pm Post subject: The Clash of Movements |
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I find the article interested, particularly the comment on the Tschumi project "The result of this "superimposition", as Tschumi calls it, is, according to Mark Wigley, a "series of ambiguous intersections between systems […] in which the status of ideal forms and traditional composition is challenged." and " Ideas of purity, perfection, and order, become sources of impurity, imperfection, and disorder" (Wigley in Broadbent 1991: 17). " and further -->>
"The inherent purity of the geometrical system evokes a feeling of rational control and stability. If things turn out differently, then, and the juxtaposition of several "pure" systems gives way to impurity, the geometric system's rational control over that which "ought to have remained secret", weakens. The repressed leaves its enclosed habitat and thus provokes in us an uncanny feeling. In the case of Tschumi's Parc de la Villette, the uncanny does not function as a physical motif that threatens the bodily integrity of passers-by, but rather as a theoretical concept that helps to undermine and - indeed - deconstruct traditional humanist and functionalist architectural discourses."
Under this context, Deconstructionalism can be seen as a reaction against the "pure" forms of spam Constructionalism, just as other movements typically become a reaction to another movement, and on and on.. each one pretending to be a more "resolved", or " pure " form of designing. It seems, then that architects in the past, and until today are constantly trying to re-define the aesthetic function in terms of reactionary individualistic contextual interpretation of a previous movement, in an attempt to re-codify the values in favor of an alternate solution. It seems this eternal dispute goes on, and these forums is no exception. |
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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Tue Aug 21, 2007 5:17 pm Post subject: |
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exactly that...these ideas live on and I suspect will always re-emerge simply because they are based on fundamentals...in this case, the fundamental of "idea". Deconstructionism in essence is/was about "breaking down" what we know, disseminating the pieces-parts and re-assembling them to represent a new "nature, a new "truth". In essence, it was more to point out that the rigidity of the "pure" ideas being lauded as the ONLY way to design was nothing but rhetoric and circular argument. By proving that something new could be litereally constrcuted from the deconstructed version of the pure designs, there was little argument to say that the purists were correct.
In speaking of the thought process behind design, you could say that it is an exercise of re-examing all that we know and re-constructing them into something else. The problem arises in that "something else". It's very difficult to defend a project that has seemingly random/fragmented ideas that resulted in an explosion of materials. This is basically the same problem "blob-itecture" has faced...
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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usarender millennium club
Joined: 01 May 2004 Posts: 1258 Location: San Diego, Ca
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Posted: Tue Aug 21, 2007 6:36 pm Post subject: The Inhenrant Need to Fragment and Rebuild |
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| There are times when we as architects must "brake down all we know" into fragments of information and then "re-assemble it " into a breathing orderly system that awakens a new consciousness of our existence and inspires a new generation to metaphysically establish a new mental connection. This is in essence the re-wiring of our brain, often due to "information over-load". We can define it as a new movement, but we in essence, as creative individuals need to, at times, brake down the values of the past, the order given to us as the "ultimate truth" and conspire to re-create the order that will give a new meaning to the elements. This eternal quest for a re-structuring of thought into a new semantics is an eternal quest in architecture. The moment we cease to re-order our mental structure, is the moment we fall into a cataclysm of lack of creativity, lack of inspiration and loose our vision towards the world around us, in my opinion. |
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jefffryfry
Joined: 22 Aug 2007 Posts: 4
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Posted: Wed Aug 22, 2007 2:38 pm Post subject: |
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| Quick dimension1 wrote: | | I agree, It's not about recreating or providing a place that makes someone happy - what good it does do? design is not about seeking what we do not understand. Its like saying that god is design, and design is the search for the meaning of life. on the contrary design is simple - it makes sense of things. |
I would agree to that. Just want to throw in my thoughts of what design is.
Design, I think is our gifted tool to express our creative nature as human beings. To design something in the way it looks, feels, functions, behaves etc.... is the ability to take from our creative minds, our ideas and put them into this world in the way one has intended it to behave, look, feel, function and so on... whether it was a team effort or a personal one.
Now I think it is the philosophy of what is behind our design is what the discussion was about but calling it design is what lead to my confusion. |
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