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csintexas millennium club
Joined: 06 Feb 2006 Posts: 2204 Location: USA
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SDR millennium club
Joined: 02 Oct 2004 Posts: 1878 Location: San Francisco
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Posted: Sat Aug 04, 2007 1:15 pm Post subject: |
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So do I. How about crediting the author and the source, including date ? Or did this appear online anonymously, like the Desiderata on the cathedral door ?
Thanks for the interesting read. SDR |
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csintexas millennium club
Joined: 06 Feb 2006 Posts: 2204 Location: USA
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Posted: Sat Aug 04, 2007 1:32 pm Post subject: |
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I don't know anything about it but what you see in the link.
I just happened to run across it doing a google search. _________________ -Chris Stewart
http://bcshdb.blogspot.com >
The B/CS Home Design Blog |
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lekizz millennium club
Joined: 11 Jan 2006 Posts: 1217 Location: UK
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Posted: Thu Aug 09, 2007 4:47 pm Post subject: |
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Well, here's his resume, it wasn't too hard to find on the same URL
http://www.fudco.com/chip/resume.html
Seems our author is a self-confessed 'computer geek', obviously with a passing knowledge in other fields too
| Quote: | One of the most interesting things about the Web is the way it provides a soapbox for every crank, sage, fool, and eccentric on the Net. It's even better than letting people preach from the street corners because on the Net it's much easier to ignore the kooks.
Everybody has an opinion on something. I have an opinion on everything. The other day, one of my coworkers asked me where I wanted to go for lunch and I told him I didn't care. That was my opinion. I have an opinion on everything.
Chip Morningstar
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solidred

Joined: 05 Jan 2006 Posts: 728 Location: Scotland
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Posted: Fri Aug 10, 2007 6:09 am Post subject: |
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Well written it is and sane also. However, whilst reading it I got the impression that, again, rhetoric was being confused with practice. By choosing to focus on that small number of architects who's works (written and built) are widely publicised and then to apply their theoretical positions to the practical work of architects as a whole is leading to an argument that strays somewhat from the general truths of the matter. Put it this way: architects who publish, speak on the lecture circuit and head successful offices are, often as not, engaged in these activities rather than engaged in getting a window sill at exactly the right level for a known age-range of end-users, for example.
Having said this, I totally agree with his commentary on 'form follows function' and find his fresh critique exploring the machine analogy trenchant and amusing. I've personally always found the writing style of Le Corbusier to be both clunky and bombastic. |
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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Sat Aug 11, 2007 11:00 am Post subject: |
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| Quote: | Architecture is the masterly, correct and magnificent play of masses brought together in light.
Le Corbusier |
I personally have great admiration for LeCorbusier's writings and that's simply because I can read the original in French, without lost translations. For example, I've always been tremendously bothered by the above quote which is significant to his approach to design: the part of "sous la lumiere", does not mean "brought together in light". It means more like something of "illuminated" or "under light"...it canot be literally translated nor does it have an exact english conversion but to me the nuance is great. In his experimentation with re-inforced concrete which liberated space-plans for the first time in history (from structure-space) he was gestating the rationalizations for spatial qualities that could have been literally approached with a more chaotic sense. In fact, what we have now is more like what he was trying to avoid...a pell-mell mish-mash of assemblies that are either more chic or aesthetic than sense. His idea was that architecture was by its renewed nature a variation of scultpure and there was no way to avoid that however with careful methodology a designer could conceivably create something that could rival the great mastepieces in terms of scale and proportion by examining these shapes as they are perceived literally by our eyes through the element of light. It's quite peotic really...anyway, my two cents on that.
| Quote: | | the spartan, unadorned form we now tend to associate with machines was itself as much a consequence of modernism as a progenitor of it. |
The entire time I was reading this essay, I kept thinking this exact thing...that functionalism has always been intrinsically a part of architecture ever since the first architecture was ever created (the hut? stonehenge? the pyramids?) Modernism did not create the idea of form follows function, it simply defined it for all to ponder. A "truth" was revealed and everyone ran with it in different directions...
| Quote: | | The ideal of function was incorporated as a post facto rationalization for aesthetic decisions that had already been made on artistic and ideological grounds. The notion of function itself was derived from a bogus machine aesthetic, reasoning backwards from a false syllogism |
This is the most interesting passage, for me, in the entire essay. It is so valid and succinct but it also demonstartes the mis-understanding of Modernism, which has since propagted into an anti-Modernist non-movement popularly called PoMo. The basic problem of design in architecture is exactly based on the concept that space to be occupied and inhabited by people is a technical construct of aesthetic decisions creates this dualistic conflict that the author first notes. This IS Architecture...has always been and will always be. There is no way to design based on function or aesthetics alone and be truly "successful" at providing what people desire. The collective (of society) has always tended to create functional and aesthetic items throughout history. Weapons were adorned, homes had features, clothes had style, and even words were created as poems...is it possible to create a poem that no one can possibly understand? Or a painting that is post-facto rationlized as an expression of some thought...is it not typically what we do?
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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SDR millennium club
Joined: 02 Oct 2004 Posts: 1878 Location: San Francisco
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Posted: Sat Aug 11, 2007 2:01 pm Post subject: |
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Your clearest thinking (and best writing) to date. Thanks for getting at the essence of these questions.
SDR |
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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Sat Aug 11, 2007 4:07 pm Post subject: |
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Grammar aside...thanks!
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Sat Aug 11, 2007 7:14 pm Post subject: |
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One more general thought about LeCorbu and the machine: he was right. We often forget the context in which he was writing. This was at the peak of the industrial revolution: ie, mass production and the engine. At the time, many things were done by hand and at a painstaking speed...which came with a certain quality. However, LeCorbu was predicting that we would all succumb to the machine and live by the machine. Who here does not drive a car? Who has a cell phone? Microwave? Television? Lawn mower?...who here actually walks to work or rides a horse? The few urban renewal ideoogies that spawned some Neo-Urbanist movement was probably the most anti-modern event since Modernism flourished, however, even in that, people still need their highways. And because of that, the power of the developers has usurped the value of the architects and built over most of our greenspaces...if you truly look at LeCorbu's crazy ideas, you'll see what he was trying to imagine as the future (the present) city would look like...or more importantly, how it should be. And this was at a time when the steam-driven locomotive was the number one method of transportation...
...fast foward to today and we see how much we've incorporated the machine into our lives...into our designs. Is it coincidence that our cars and cell phones resemble one another? I personally don't think Ghery was a fluke...he's a product of our times. Except now we're speaking about the digital era...and THAT is another subject.
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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solidred

Joined: 05 Jan 2006 Posts: 728 Location: Scotland
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Posted: Mon Aug 13, 2007 4:49 am Post subject: |
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I'm sort of half eating my derogatory comments about Le Corbusier's writing style because I've only read him in translation. So to come to such an opinion as I did on this basis is, not on... so, ...oops (!)
Anyway, it's interesting to note your response to his original French text MX2. That you find it genuinely poetic in tone is especially interesting because, to my mind, this certainly does not come across in translation.
It's funny but, everytime I've slagged off dear old Corbu recently, whoever I've been talking with has rallied to his defence... it's just that I started reading a book focusing on his psychological characteristics that, so far, places him at the polar opposite of the sort of social ideals I hold myself. Hmm... I should a) finish that book b) get hold of some Corbu in French and... ach well, a fascinating and important guy still worth studying.
I'm still in revolutionary mood, though. The two workshops I've run recently have started to focus my mind on some alternative approaches...  |
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csintexas millennium club
Joined: 06 Feb 2006 Posts: 2204 Location: USA
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Posted: Mon Aug 13, 2007 5:58 am Post subject: |
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The author explained that aesthetics and other things beside our most basic understanding of "functional" are a part of function:
| Quote: | | In rejecting the faux functionalism of the modern style, the postmodernists have also tended to reject true functionalism. This, of course, is completely unwarranted. Functionalism has become something of a blind spot for them. For example, ornament, complexity, "softness" of various kinds, traditional materials, and many other elements eschewed by modernist dogma all help address psychological needs of the human beings who would live or work in a building. Taking into account the cognitive (i.e., ergonomic) and emotional considerations of the inhabitants is entirely consistent with genuine functionalism; indeed, it is demanded by it. |
_________________ -Chris Stewart
http://bcshdb.blogspot.com >
The B/CS Home Design Blog |
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solidred

Joined: 05 Jan 2006 Posts: 728 Location: Scotland
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Posted: Mon Aug 13, 2007 8:12 am Post subject: |
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He's preaching to the converted there...
Funnily enough, this current view parallels developments in maths and science since Modernism was first established. I was watching a programme about some mathematicians and physicists the other night amongst whom was one named Godel. He proved that not all problems are proveable by means of rational systems. Turing (a computer pioneer amongst other things) took up this notion and could never quite decide whether human brains were simply brilliant rational machines or if, in fact, they had additional capacities. Both came to the tentative conclusion that people additionally had intuition. Since then, it's also been suggested that the way we think is directly conditioned by the way in which we experience reality via our bodies. All these things suggest that rationalistic functionality alone will not meet holistic human needs. It seems obvious to me that the likes of Le Corbusier understood this anyway... |
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mx2 millennium club
Joined: 18 Jan 2006 Posts: 1977 Location: Miami, Florida
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Posted: Mon Aug 13, 2007 12:16 pm Post subject: |
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The author is indeed preaching to the choir...
Keep in mind, solidred, revolutions are time specific...they are reactionary to the ideals of the moment and context. The parallel relationship LeCorbu had in breaking with the past (think Beaux-Arts) can be studied in trying to conceive a break with today's status quo...
...what that is exactly will be a difficult task since contemporary architecture (as lazily accepted as Postmodernism) is more of a hodgepodge of all the styles and ideologies of history. There is no underlying ideology anymore...in my humble opinion. Therefore, I would even suggest a revolution would occur if and when a new philosophy is adopted and popularized. I thought I saw a lot of potential in "blob" design but there's simply to much antithesis to these buildings...
mx2.5 _________________ *Art of Architecture: The conscious use of skill and creative imagination in the production of an aesthetic building.
*Science of Architecture: The calculated use of technical skill and knowledge in the construction of a functional building. |
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solidred

Joined: 05 Jan 2006 Posts: 728 Location: Scotland
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Posted: Mon Aug 13, 2007 12:42 pm Post subject: |
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Since you mention it MX2, I was thinking of something like this the other day:
If architecture is to be distinguished from building, this is usually in terms of its conscious articulation of expression to give the building some sort of 'meta' meaning. By the architect.
However, my argument would be that any old building can and often is invested with meaning by passers-by and inhabitants. The expressive articulation occurs as a perceptual, rather than as a physical, phenomenon.
Further, moves by the architect as urbanist are often based upon objective analysis of the city. However, roughly paraphrasing the psychiatrist R.D.Laing, how is one supposed to understand one's patients, in their full humanity, if one insists upon treating them as objects? The same might be said of the architect who envisages futures in terms of physical articulations when what might be more appropriate is a shift in perceptions of what's already there. Or a combination of both.
Then there are the male and female aspects of these perceiving psyches.
Where the male uses rational objectivity to balance out patterns in the overall picture, thus to extract generalised strategies, the female uses highly specific intuitions. The former wide and somewhat thin; the latter pin-point but deep. Both equivalent in the quantity of operating information and each addressing part of the whole.
Now, this isn't revolutionary. All of this has been stated and practiced before, either wittingly or unwittingly. But I still think it represents a subtle but significant shift in approach from current trends of Bigness, Global Economics and SuperScience, which are all highly male-dominated attitudes... |
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csintexas millennium club
Joined: 06 Feb 2006 Posts: 2204 Location: USA
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Posted: Mon Aug 13, 2007 2:18 pm Post subject: |
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Being a hodgepodge of all the styles is one of the best characteristics of postmodernism. Life is diverse why shouldn't architecture be diverse also.
That is ideology, no? _________________ -Chris Stewart
http://bcshdb.blogspot.com >
The B/CS Home Design Blog |
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